Luckyshot3

I'm pretty sure this is the version I had which I deleted. After a while, 0.1.8.5 would show the yellow bar on top 'In a few months.' Spotify download for mac yosemite 2017. Also, the Favorites section wouldn't let me delete people - they'd just show up again at the bottom of the page. I just thought there might be a version in between this one and the most current version. Or 'Playlist update failed' (I can't remember the exact script), and it would never go away.

Re: Recording Interface for Mac OS X Yosemite It will record at sample rates of up to 96kHz, 24-bit - however, the main result of doing so in a typical home studio situation is simply huge file sizes. 44.1 at 24-bit is much lower on resources and sonically entirely satisfactory for most purposes.

Use Shift-Command-5

If you're using macOS Mojave or later, press Shift-Command (⌘)-5 on your keyboard to see onscreen controls for recording the entire screen, recording a selected portion of the screen, or capturing a still image of your screen. You can also record the screen with QuickTime Player instead.

Record the entire screen

1. Click in the onscreen controls. Your pointer changes to a camera .
2. Click any screen to start recording that screen, or click Record in the onscreen controls.
3. To stop recording, click in the menu bar. Or press Command-Control-Esc (Escape).
4. Use the thumbnail to trim, share, save, or take other actions.

Record a selected portion of the screen

1. Click in the onscreen controls.
2. Drag to select an area of the screen to record. To move the entire selection, drag from within the selection.
   
3. To start recording, click Record in the onscreen controls.
4. To stop recording, click in the menu bar. Or press Command-Control-Esc (Escape).
5. Use the thumbnail to trim, share, save, or take other actions.

Trim, share, and save

After you stop recording, a thumbnail of the video appears briefly in the lower-right corner of your screen.

• Take no action or swipe the thumbnail to the right and the recording is automatically saved.
• Click the thumbnail to open the recording. You can then click to trim the recording, or click to share it.
• Drag the thumbnail to move the recording to another location, such as to a document, an email, a Finder window, or the Trash.
• Control-click the thumbnail for more options. For example, you can change the save location, open the recording in an app, or delete the recording without saving it.

Change the settings

Click Options in the onscreen controls to change these settings:

• Save to: Choose where your recordings are automatically saved, such as Desktop, Documents, or Clipboard.
• Timer: Choose when to begin recording: immediately, 5 seconds, or 10 seconds after you click to record.
• Microphone: To record your voice or other audio along with your recording, choose a microphone.
• Show Floating Thumbnail: Choose whether to show the thumbnail.
• Remember Last Selection: Choose whether to default to the selections you made the last time you used this tool.
• Show Mouse Clicks: Choose whether to show a black circle around your pointer when you click in the recording.

Use QuickTime Player

1. Open QuickTime Player from your Applications folder, then choose File > New Screen Recording from the menu bar. You will then see either the onscreen controls described above or the Screen Recording window described in the following steps.
2. Before starting your recording, you can click the arrow next to to change the recording settings:
   
   • To record your voice or other audio with the screen recording, choose a microphone. To monitor that audio during recording, adjust the volume slider (if you get audio feedback, lower the volume or use headphones with a microphone).
     
   • To show a black circle around your pointer when you click, choose Show Mouse Clicks in Recording.
     
3. To start recording, click and then take one of these actions:
   • Click anywhere on the screen to begin recording the entire screen.
   • Or drag to select an area to record, then click Start Recording within that area.
4. To stop recording, click in the menu bar, or press Command-Control-Esc (Escape).
5. After you stop recording, QuickTime Player automatically opens the recording. You can now play, edit, or share the recording.

Learn more

• When saving your recording automatically, your Mac uses the name ”Screen Recording date at time.mov”.
• To cancel making a recording, press the Esc key before clicking to record.
• You can open screen recordings with QuickTime Player, iMovie, and other apps that can edit or view videos.
• Some apps, such as DVD Player, might not let you record their windows.
• Learn how to record the screen on your iPhone, iPad, or iPod touch.

Apollo Twin Solo

• Don Makoviney
• Last Updated: February 8, 2016

If you're running Mac OS X and have a Thunderbolt port, the best digital audio interface for most people is the Universal Audio Apollo Twin. It's preamps are extremely rich and versatile, completely configurable with included software. It has a solid build, with a stout aluminum housing and intuitive interface. With all of this, PLUS zero-latency, the Apollo Twin by Universal Audio is the one to get.

Best Thunderbolt Audio Interface

Apollo Twin Solo

Recording Interface For Mac Yosemite 2017

Important Specs

Synopsis:

If you're running Mac OS X and have a Thunderbolt port, the best digital audio interface for most people is the Universal Audio Apollo Twin. It's preamps are extremely rich and versatile, completely configurable with included software. It has a solid build, with a stout aluminum housing and intuitive interface.

What is a Thunderbolt Audio Interface?

These interfaces are connected between your microphones (or instruments) and your computer. They connect to your computer using the Thunderbolt connector found on all new Apple computers, as well as a slowly growing number of Windows machines.

If you’ve already dabbled with digital audio interfaces, chances are you’ve used a USB interface. If you choose to stick with USB we have a guide for the best USB digital audio interface.

So, these are basically the same thing, except it uses the Thunderbolt connection on all new Macs and MacBooks,

Why is it so great? Thunderbolt ports transfer data twice as fast as the fastest USB port (USB 3.0), which makes it an ideal way of recording when you are dealing with a large number of instruments and vocals. Sometimes you’ll run into latency with USB interfaces, which causes a bit of a lag (or delay) when recording. So, recording a full band would be a great use of the Thunderbolt connection. DJs and electronic musicians that perform live with many different sources would also be able to take good advantage of fast data transfer a Thunderbolt connection provides.

Do I Need a Thunderbolt Audio Interface?

If you have a Mac with a Thunderbolt port onboard, then probably.

Otherwise, probably not.

Why? Well, our guides are generally focused around home use – the spare bedroom or basement studio. In these scenarios you are usually work alone, or with one or two others. Chances are you’ll be recording only one or two instruments in at a time. In these cases, you’d do well to buy a great USB audio interface instead. With the money you save, put it towards something else useful for your studio.

But here are some reasons you might need one:

If you have a setup that uses lots of MIDI controllers and other USB devices (i.e. a DJ or electronic musician), you probably know how easy it is to run out of USB ports, and even with a USB hub, you run into limitations. So, if the audio interface is moved over to the Thunderbolt connection, you now have a USB port free, and in fact, have removed the soundcard (your interface) completely from USB, freeing up all kinds of data transfer speed on the USB bus.

Confused? Read more on it here.

But I Already Have a Firewire Audio Interface, and it Works Great!

If this is the case, you can purchase a Firewire to Thunderbolt adapter for under 50 bucks. Pretty much all Firewire devices will work this way, and some manufacturers straight up encourage it.

However, make sure you double-check Thunderbolt compatibility with your Firewire interface manufacturer before hitting the BUY button on the $50 adapter. Usually you can check their support pages, forums, or even just email them to find out.

Oh, and the Thunderbolt interface is way faster (refer back to the chart above). So fast, in fact, that latency will be a thing of the past.

What Makes A Good Thunderbolt Interface?

We want:

• No latency issues: No exceptions.
• Ease of use: Get up and running quickly.
• Reliability: No history of production issues or factory flaws.
• Support: Good warranty, timely response to questions, good documentation, and online resources.

Some Things To Keep In Mind

The Thunderbolt audio interfaces we recommend here are primarily for Apple computers. So if you are a Windows person, check out our small and growing list of Windows-compatible Thunderbolt audio interfaces at the bottom of this guide.

Our Pick

The Apollo Twin SOLO (made by Universal Audio) is the best Thunderbolt audio interface for most people.

User reviews and expert reviews both universally acclaim the reliability and sound quality of the Apollo Twin.

Universal Audio also builds much more powerful interfaces, like the Apollo 8, which has enough inputs and outputs to record an entire band in a medium or large professional studio. These interfaces are highly regarded – even the newest models by the company are based on their decades-long legacy of high quality, great sounding pre-amps. The only difference is that these days, much of this is modeled with their software, which is tightly integrated with the hardware.

To take advantage of everything that makes the Apollo Twin the best Thunderbolt interface, you’ll need to install the included plug-in software, as well as their console software. The console software actually looks like a regular recording console, as you can see below:

This console software is where you choose which of the vintage mic preamps you want to use, if you want too. You can also use any of the software plug-ins you might wish to record through. Via a switch, you can choose to simply hear the affected sound (i.e. monitor the sound) while recording clean, or you can permanently add the affected sound to the what you are recording.

If you are someone who records mostly solo, with occasional accompaniment with one or two others, this will more than handle the task. You’ll get the same great sound and ease of use, at a fraction of the cost of the large professional interfaces.

Apollo Twin Is Compatible With Other Universal Audio Interfaces

Should your studio grow (it probably will!) you can upgrade to a larger interface, like Universal Audio’s Apollo 8 and it will work right alongside our pick (the Apollo Twin). With “Apollo Expanded: and UAD v8 (Universal Audio Drivers v8), one Apollo Twin can be combined with other Thunderbolt-equipped Apollo models to create an expanded studio setup — up to four Thunderbolt Apollos and six UAD-2 devices total — adding I/O and DSP as your studio grows.

User Reviews

Chad Johnson, writing a review on Sweetwater, confirms latency is not an issue at all:

I had a little issue with the install/configuration … The Console app is pretty sweet! Its like having a soft mixer inside your computer that shows you everything going on inside the module and can apply plugins direction inside the software during recording. Which takes the loud away from your CPU/DAW. I can now use overdub mode inside my DAW and have no latency at all. Its all in real time and no glitches.

An Amazon reviewer noted it’s solid performance with both Pro Tools 11 and Logic X on a 2011 MacBook Pro:

The Apollo twin has performed beautifully for me. I’m using a late 2011 MacBook Pro in my studio, and running Yosemite 10.10.1. I’m running both Pro Tools 11 and Logic X, the Apollo twin works flawlessly in both, and even though Pro Tools is not supported by Avid on Mac Yosemite, it works perfectly for me.

Expert Reviews

In Sound On Sound, the reviewer was impressed with the rugged quality, and the unusually versatile mic preamps, and way it mimics analog preamps with it’s tightly integrated Unison software:

The double whammy of excellent sound quality and UA plug-ins in a desktop format has obvious appeal, and I can imagine that many existing UAD or Apollo owners would be interested in adding a Twin to their setup for portable duties or to act as a high-quality monitor controller and headphone amp.

…

For Mac users to whom portability and excellent sound quality are more important than having a lot of I/O, the Apollo Twin sets a benchmark that will be difficult to beat

The reviewer at Music Radar noted the quality build and useful interface controls and integration with the software. He also liked how it was pretty much the same as the larger “professional” interfaces, like the Apollo 8 (16-in, 14-out):

The preamp stage matches the design of the other interfaces in the Apollo range and, for many, this will be as key a feature as the capacity to run UAD plug-ins. The emulation process doesn’t only extend to UAD effects but also to the design of the inputs which, via Universal Audio’s Unison technology, mimic the behaviour of classic tube and solid-state devices, copying their characteristics to provide extraordinarily high-quality results.

Over at Pro Tools Expert, the reviewer was impressed with the sturdy build quality, and intuitive physical knobs and interface:

One thing is certain when you first hold the Apollo Twin, in creating an affordable Apollo it’s not been by skimping – this thing is built like a tank. On the front panel you have everything you need to set things up without having to constantly look at the computer, from a multi function big knob (no jokes please) to selectors for all the main functions such as input type, low pass filter, phantom power.

Apollo Twin SOLO and Apollo Twin DUO. What’s The Difference?

The DUO is about $200 more than the SOLO. For the extra cost, you get another processor for handling effects (i.e. signal processing).

What does that mean?

It means you’ll have more horsepower for effects processing. If you typically use a lot of VST plugins, in addition to the included Universal Audio plugins, you’ll want to spring for the DUO.

You can get prices and reviews on the Apollo Twin DUO here, and here’s some used/discount options at eBay.

Budget Options

There isn’t a lot to choose from that costs much less than our main pick. If Thunderbolt was a requirement and price was an issue, for $300 I’d get the Tac-2 from Zoom:

Zoom’s free TAC-2 MixEfx Macintosh application enables you to boost the functionality of your TAC-2 further still. It allows you to set mix parameters and add high-quality effects such as reverb and echo; you can also apply a low cut filter, do phase reversal, or set AUTO GAIN for each input independently. In addition, there’s a LOOPBACK function that blends the input signal with the playback signal for zero latency, as well as three memory slots for saving user settings with quick recall.

The reviews have been generally great. It’s also bus-powered, so you won’t have an AC Adapter to worry about either.

Windows Options

Thunderbolt is still a rare sighting on Windows computers, but they do exist in the form of really expensive laptops; also cards to be installed on desktop computers.

https://windowsomg.netlify.app/how-do-i-update-my-adobe-for-mac-os-catalina.html. This guide is updated often, so we will update with new Windows Thunderbolt options as new products arrive for testing, and some of the forums and professional reviewers have more hands-on time.

If you are recording on a desktop Windows computer, there are several expansion card options. Here’s a list. While this is outside the scope of this guide, check with your desktop manufacturer to make sure the expansion card you are looking to buy is compatible with your machine. You can usually do this by visiting the website of your computer’s manufacturer and searching their support documents, or sending an email to the support team.

In the meantime, we’d suggest going with the USB 3.0 versions of the Apollo Twin for Windows.

Wrapping Up

Bear in mind, our main pick is for Apple computers running OS X and with an included Thunderbolt port. It is not Windows-compatible (at this time, anyways). The Apollo Twin will handle most anything you throw at it, and latency will be a thing of the past.

• It doesn’t include a Thunderbolt cable, which is weird and kind of lame. But you can get Thunderbolt cables here.
• The Apollo Twin also uses a power adapter, so you’ll need to make sure you have room for that.

If you are the type that records an input or two at a time, the Apollo Twin by Universal Audio will handle the job perfectly, with no latency. You’ll have a rugged interface that will provide you with years of use. The addition of the incredibly versatile Unison effects software, modeled after Universal Audio’s well-regarded preamps and channels strips, make the Apollo Twin the best Thunderbolt interface for most people.

Recording Interface For Mac Yosemite National Park

Happy recording!

Tell Me If There's A Deal For This

Best Thunderbolt Audio Interface

Apollo Twin Solo

Important Specs

Synopsis:

If you're running Mac OS X and have a Thunderbolt port, the best digital audio interface for most people is the Universal Audio Apollo Twin. It's preamps are extremely rich and versatile, completely configurable with included software. It has a solid build, with a stout aluminum housing and intuitive interface.

The Budget Option

Zoom TAC-2

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Sources

Recording Interface For Mac Yosemite Drive

1. Walter Lindley, American Songwriter, 20130116
   Review: Apogee Quartet Desktop Audio

   “Any DAW, whether it’s Pro Tools, Garageband or Logic, is not the barometer of what makes a good recording. Great sound emanates from the AD/DA converters, preamps and clock stability- all crucial in getting a pristine recording. And at this price point, you’d be hard-pressed to find better hardware than the Quartet.”

2. Paul White, Sound On Sound, 20121101
   Apogee Quartet Review

   “We live in a world where the top professional studios use pretty much the same computer/software systems as those of us further down the food chain. The main area in which pro studios are better specified than project studios is in terms of what's hooked up to the front and back ends of the computer, and the audio interface is a very big part of that. Yes, you can buy an audio interface with twice the I/O at half the price of the Quartet, but the converters and mic preamps will probably not sound nearly as good. On many of them, you can hear digital crosstal”

3. Sam Inglis, Sound On Sound, 20140601
   Universal Audio Apollo Twin Thunderbolt Audio Interface & DSP Accelerator For Mac OS

   “When you manage to find the gain-staging 'sweet spot' of one of the Unison plug-ins, though, its contribution to the sound is unarguable. I was particularly impressed by a scratch vocal I tracked using a humble Shure Beta 57 through the 610A plug-in, which imparted a smooth, thick saturation to the mid-range that really helped it cut through the mix. I also liked the effect of cranking up the input gain on the API Vision channel, which can do a lot to add balls to a wimpy source. Because they change the way the gain settings behave, it's not straightforward to compare directly the effect of using these plug-ins in the 'preamp' slots with the sound they give when employed as conventional plug-ins on cleanly recorded material, but the plug-ins sound good in the latter role too.”

4. Jono Buchanan, Music Radar, 20140416
   Universal Audio Apollo Twin review

   “The preamp stage matches the design of the other interfaces in the Apollo range and, for many, this will be as key a feature as the capacity to run UAD plug-ins. The emulation process doesn't only extend to UAD effects but also to the design of the inputs which, via Universal Audio's Unison technology, mimic the behaviour of classic tube and solid-state devices, copying their characteristics to provide extraordinarily high-quality results.”

5. Russ Hughes, Pro Tools Expert, 20141213
   Apogee Ensemble Thunderbolt Review - Thunderbolt 2 Audio Interface For Mac

   “We ran the Pro Tools Expert speed test of 127 audio tracks and 64 VIs and were still able to track a guitar using Positive Grid’s BIAD guitar VI without issue at 32 samples.”

6. Staff, Universal Audio Support Page, 20150910
   Universal Audio Thunderbolt Support Page

   “Important: This page is dedicated to Apollo Thunderbolt systems for Mac. If connecting Apollo to Mac or Windows computers via FireWire, see the dedicated Apollo FireWire support page instead.”

7. Chad Johnson, Sweetwater,
   Apollo Twin SOLO Reviews on Sweetwater

   “The Console app is pretty sweet! Its like having a soft mixer inside your computer that shows you everything going on inside the module and can apply plugins direction inside the software during recording. Which takes the loud away from your CPU/DAW. I can now use overdub mode inside my DAW and have no latency at all. Its all in real time and no glitches.”

8. Amazon User, Amazon.com, 20141227
   Apollo Twin: User Reviews

   “The Apollo twin has performed beautifully for me. I'm using a late 2011 MacBook Pro in my studio, and running Yosemite 10.10.1. I'm running both Pro Tools 11 and Logic X, the Apollo twin works flawlessly in both, and even though Pro Tools is not supported by Avid on Mac Yosemite, it works perfectly for me.”

9. Russ Hughes, Pro Tools Expert, 20140128
   Universal Audio Apollo Twin Review - Thunderbolt Equipped Audio Interface

   “One thing is certain when you first hold the Apollo Twin, in creating an affordable Apollo it’s not been by skimping - this thing is built like a tank. On the front panel you have everything you need to set things up without having to constantly look at the computer, from a multi function big knob (no jokes please) to selectors for all the main functions such as input type, low pass filter, phantom power.”

Recording Interface For Mac Yosemite Pro